By Pamela Regis
The romance novel has the unusual contrast of being the preferred yet least revered of literary genres. whereas it is still continually dominant in bookstores and on best-seller lists, it's also extensively brushed aside by means of the severe neighborhood. students have alleged that romance novels aid create subservient readers, who're mostly girls, by way of confining heroines to tales that forget about concerns except love and marriage.
Pamela Regis argues that such severe reviews fail to take into account the non-public collection of readers, supply any precise definition of the romance novel, or speak about the character and scope of the style. offering the counterclaim that the romance novel doesn't enslave ladies yet, to the contrary, is ready celebrating freedom and pleasure, Regis deals a definition that offers critics with an multiplied vocabulary for discussing a style that's either vintage and modern, horny and entertaining.
Taking the stance that the preferred romance novel is a piece of literature with an excellent pedigree, Regis asserts that it's also a truly previous, good shape. She strains the literary historical past of the romance novel from canonical works reminiscent of Richardson's Pamela via Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, after which turns to extra modern works similar to the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.
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Extra resources for A Natural History of the Romance Novel
A Natural History of the Romance Novel by Pamela Regis